USC Cinematic Arts crosses the spectrum of media creation from film and television to games and interactive The modern media, technology and entertainment fields are built on the backs of new businesses and new ideas. Courses are designed to give students insight into the history of documentary as well as experience with both the traditional and emerging forms of the genre. Media and Social Change The game entrepreneurism minor provides an educational path that teaches hard business thinking for creative entrepreneurs. Participants from around the world have an opportunity to attend intensive, creatively demanding and satisfying filmmaking courses. (213) 740-3986* Learn about the USC School of Cinematic Arts' innovative program on the cutting edge of media and technology. (213) 740-3327*. For more information, see here. Game Animation The Global Exchange Workshop documentary short Come, Live, Leave (2019) is the story of two students whose lives are in limbo because of visa issues -- Gao in Beijing (left) and S. in Los Angeles . USC's School of Cinematic Arts. For more information, see here. This is a unique program designed for students who wish to receive intensive training for non-fiction and fiction writing for screen and television. The Interactive For more information, see here. Writing for Screen and Television, BFA, Minors Game Art, BFA The Inclusion List, launched Wednesday by Associate Professor of Communication Stacy L. Smith and the USC Annenberg Inclusion Initiative, tracks and celebrates progress in entertainment. Articles; Sources; People; Places; Organisations; Article. The program requires 24 units. Undergraduate programs are assessed the university-wide tuition rate. Elizabeth Ramsey, Vice Chair The Global Exchange Workshop is an intensive, seven-week workshop in documentary filming that pairs graduate students from the USC School of Cinematic Arts and the Communication University of China (CUC) to make short documentaries on Los Angeles and/or Beijing as global cities. "We collaborate with students from Roski, the School of Cinematic Arts, Thornton," Connolly said. A minor in cinematic arts is available to USC undergraduate students in all schools and departments. Students explore the full potential of game design and interactive An architectural hobbyist, Lucas laid out the original designs for the project, inspired by the Mediterranean Revival Style that was used in older campus buildings as well as the Los Angeles area. School of Cinematic Arts - SCI 201M The program requires 24 units. For more information, see here. Streaming service Netflix has launched a training programme that will help upskill 15 professional Saudi television creative producers. For more information, see here. FilmSchool.org USC Acceptance Rate: 32% (73 out of 230 applications) Lowest Reported Minimum GPA: 2.4. Majors Produced by Robert Kirkman, David Alpert, Bryan Furst, Sean Furst, and Chris McKay. 34 Likes, 1 Comments - Marc Cayce Motion Picture Director (@marccaycefilms) on Instagram: "HBD JOHN SINGLETON - BLACK HOLLYWOOD You are the number 1 reason I went to USC School of Cinematic" The USC School of Cinematic Arts (SCA) is one of the nation's preeminent centers for the creation, study, research and development of film, television and interactive media. The School of Cinematic Arts rarely accepts media production courses taken at other institutions to fulfill degree and minor requirements. sessions. Parking passes may be purchased for $10.00 at USC Entrance Gate #5, located at the intersection of W. Jefferson Blvd. Interactive Entertainment, B.A. . For more information, see here. USC Marshall offers students the unique opportunity to complete coursework in both the School of Cinematic Arts and the Marshall School of Business. INSIDE. It all begins with a script. The Media Arts + Practice Division (MA+P) creates and analyzes media for fields as diverse as business, medicine, education, architecture, law, urban planning, filmmaking. Teresa Cheng, Division Chair John C. Hench Division of Animation + Digital Arts, John Wells Division of Writing for Screen & Television, The John H. Mitchell Business of Cinematic Arts Program, Division of Writing for Screen & Television, Learn more about education at the School of Cinematic Arts, In-Person SCA Graduate Information Session, BCA Student Breaks Barriers with Inaugural USC Black Career Fair, Featuring Top Companies. -Coordinate scoring session, film's ADR, and foley recording. Media Arts + Practice Dedicated to immersive experience design and core best practices from the games industry, this program is for students who are passionate about the games industry and driven to innovate the emerging future of entertainment. Innovation is about mechanics and technology, but it's more than that. USC Cinematic Arts. Many of our courses are taught in a collaborative workshop environment and our theoretical lectures are driven through in-depth classroom discussion and analysis. Cinematic Arts The current Chair is Gail Katz, holder of the Mary Pickford Endowed Chair; Vice-Chair is Susan Arnold. Visit us on Facebook; Visit us on Twitter; View our . See the Keck School of Medicine of USCfor course requirements. Campbelle Searcy is just getting her college career started at the USC Jimmy Iovine and Andre Young Academy, but shes already making waves on the red carpet. Los Angeles, CA 90089-0911 April 4, 2023, 7:00 P.M. Norris Cinema Theatre at the Frank Sinatra Hall, 3507 Trousdale Parkway, Los Angeles, CA 90007 Animation and Digital Arts at the USC School of Cinematic Arts nurtures the next generation of film and content makers who chose animation as their medium. For more information, see here. Learning the exciting and dynamic potential of a broad array of tools and technologies, students create innovative projects, from photo essays to web-based documentaries, from interactive videos to sophisticated Websites, and from typography in motion to 3-D visualizations. The Princeton Review has ranked USC the #1 Game Design school in North America every year since its ranking system began in 2009. Consequently, there is an emphasis on cross-disciplinary course work that ensures writers get behind the camera; cinema and media studies scholars edit footage; and production majors examine the canon from a rigorous academic perspective. (213) 740-3304*, The John Wells Division of Writing for Screen and Television The USC School of Cinematic Arts is led by dean Elizabeth Monk Daley, who holds the Steven J. Ross/Time Warner Chair and is the longest-serving dean at the University of Southern California, having led the cinema school since 1991. 3667 South McClintock Avenue, Los Angeles, California 90089. https://dps.usc.edu/alerts/annual-report/. . Core to the program is its transdisciplinary ethos; after completing foundational course work, students design their own curricula, drawing on expertise across all divisions and research labs within the School of Cinematic Arts. Media. mediastudies@cinema.usc.edu: 213-740-3334: 1070: Cinematic Arts (Media Arts and Practice) PhD: UPC: NO: map@cinema.usc.edu: 213-821-5700: 1607: Cinematic Arts (Media Arts, Games and Health) M.A. GoPro signs deal with USC School of Cinematic Arts SAN MATEO, Calif., Oct. 15, 2015 /PRNewswire/ -- GoPro, Inc. (NASDAQ:GPRO), enabler of some of today's most engaging content, today announced the University of Southern California School of Cinematic Arts (SCA) is a flagship partner in the creative community as it kicks off GoPro Awards. The University of Southern Californias Annual Security and Fire Safety Reports (ASR) for the past three years are available online at: https://dps.usc.edu/alerts/annual-report/. With nearly 200,000 square feet of facilities, the school confers degrees ranging from the bachelors to the doctorate. For more information, see here. In addition, a minimum grade point average must be achieved to earn all cinematic arts degrees (see the individual program descriptions). Attention to games and interactive media is growing, and it has become necessary to understand them as meaningful systems, reflect on their cultural influence, and to help guide their evolution with insightful criticism. University of Southern CaliforniaUSC1880""Traveler2023U.S. Students will gain insight into the professional practices of creating media content, analyzing existing content, and learning how they can influence the future by integrating social issues into the work they are doing in related fields. Each program has its own advisement system. Playful and interactive experiences make up the fastest growing segment of the entertainment industry. The Peter Stark Producing Program requires 44 units. Themed Entertainment In today's global culture of multiple screens and diverse forms of media, every industry needs innovators who are able to Cinematic Arts This program is for students who want to harness the power of digital storytelling and media design to communicate across diverse fields beyond the entertainment industry. School of Cinematic Arts - SCA 366 Outside the Box [Office], USC Schwarzenegger Institute, and Zeno Films Productions LLC, invite you and a guest to attend. The minor in immersive media is designed to train students to create projects in virtual reality, augmented reality, and other immersive media formats. The minor in Future Cinema explores the frontier of audiovisual storytelling building on the cutting edge research within the School of Cinematic Arts. Students may attempt to improve a grade lower than a C (2.0) only one time by registering and retaking the specific course. I'm at @USC School of Cinematic Arts (SCA) in Los Angeles, CA. Through integration of two major disciplines (cinematic arts and information technology), students will be exposed to a variety of design concepts related to creating video games. Javascript is currently not supported, or is disabled by this browser. Animation and Digital Arts 3667 South McClintock Avenue, Los Angeles, California 90089. https://dps.usc.edu/alerts/annual-report/. Everywhere you look these days there are screens that need content. dramaticarts.usc.edu. The initiative will take participants through the process of creating, forming, and executing . (213) 740-1111 For more information, see here. Through elective choices students may focus their studies on theory, on specific fields of immersive, on creative expression, or on building technology. Participating students enroll in CTPR 515 Global Exchange Workshop(2 units). To start a successful business, you need skills and knowledge of the processes for setting up a business, finding investment and turning your creative project from prototype to finished project. The following courses cannot be waived for students majoring in Film and Television Production: CTIN 584a, CTIN 584b, CTIN 584c, CTIN 584z, CTPR 290, CTPR 294, CTPR 295, CTPR 310, CTPR 480, CTPR 507, CTPR 508, CTPR 546L, CTPR 547L, CTPR 581a, CTPR 581b, CTPR 581c, CTPR 581z, CTPR 582a, CTPR 582b, CTPR 582z, CTPR 583, CTPR 587a, CTPR 587b, CTPR 587c, CTPR 587z. Salary Company How To Become Job Openings. These include classic character animation, 2-D and 3-D storytelling, performance capture, visual effects, motion graphics, stop-motion, experimental filmmaking, installations and multimedia, documentary animation, and visualizing scientific research. Programs. cinema professions. This program requires 44 units. [5] To obtain this joint degree, students will take interdisciplinary coursework from both the USC Marshall School of Business and the . Frank Price, who founded USC's School Of Cinematic Arts Board Of Councilors, will step down as director, with Donna Langley taking over. . Administration with an emphasis in Cinematic Arts. The school is also home to USCs Trojan Vision television station. Founded in collaboration with the Academy of Motion Picture Arts and Sciences in 1929, the USC School of Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art form. The USC School of Cinematic Arts offers Bachelor of Fine Arts and Master of Fine Arts degrees in Writing for Screen and Television for students who seek professional preparation for a career in screen and television writing. For more information, see here. Greater New York City Area. (213) 740-1111 When Douglas Fairbanks became the first president of the nascent Academy of Motion Picture Arts and Sciences in 1927, one of the more innovative items on his agenda was that the academy should have a training school. Visit Us; Get in Touch; Sign Up; 900 West 34th Street, Los Angeles, CA 90089-2211. Conceived to support and encourage experimentation, emphasize research in the field of animation, and https://t.co/oKiMBfiFaa, University Park Campus News . For the first time, students applying to the Marshall School of Business for Fall 2022 were able to choose the John H. Mitchell Business of Cinematic Arts (BCA) joint-degree program on the Common App. Wang Family Endowed Chair in Cinematic Arts:Akira Mizuta Lippit, PhD, The Haskell Wexler Endowed Chair in Documentary:Michael Renov, PhD, The Robin Williams Endowed Chair in Comedy: Barnet Kellman, PhD, Dino and Martha De Laurentiis Endowed Professorship: Mary Sweeney, MA, Presidential Professor of Cinematic Arts: George Lucas, BA, Judge Widney Professor: Robert Zemeckis, BFA, Provost Professor of Communication, Journalism, and Cinematic Arts: Henry Jenkins, PhD, The Mark Burnett Summer Program Endowed Chair:Kenneth Williams, Distinguished Professor: Mark J. Harris, BA, Professors: Tom Abrams, MFA; Danny Bilson, BA; Bruce Block, MFA; Don Bohlinger, MFA; Mark Bolas, MS;Todd Boyd, PhD; Ted Braun, MFA; Teresa Cheng, BA; Midge Costin, MA; Elizabeth M. Daley, PhD; Jack Epps Jr., BA; Michael Fink, MFA; Scott S. Fisher, MS; Tracy Fullerton, MFA; Mark J. Harris, BA; David Howard, MFA; Aniko Imre, PhD; David Isaacs, BA; Priya Jaikumar, PhD; Henry Jenkins, PhD; Jeremy Kagan, MFA; Gail Katz, MBA; Barnet Kellman, PhD; Scott Kroopf, BA; Lisa Leeman, BA; Akira MizutaLippit, PhD; Tara McPherson, PhD; Christine Panushka, MFA; Amanda Pope, BA; Jason Reisig, BFA; Michael Renov, PhD; Howard A. Rodman, BA; Ellen Seiter, PhD; Tom Sito, BFA; Kathy Smith, BA; Sheila M. Sofian, MFA; Mary Sweeney, MA; Michael Taylor, BA; Robert Townsend, DFA: John Watson, MA; Holly Willis, PhD, Associate Professors: Linda Brown, MFA; J. D. Connor, PhD; Pamela Douglas, MA; Lan Duong, PhD; Nitin Govil, PhD; Helaine Head, BA; Georgia Jeffries, BA; Andreas Kratky, PhD; Richard Lemarchand, BA; Everett Lewis, MFA; Andrew Nealen, PhD; Laura Isabel Serna, PhD; Peter Sollett, BFA; Stephanie Spray, PhD, Assistant Professor: Giancarlo Cornejo, PhD, Professors of Practice: David Balkan, BA; Irving Belateche, MA; Gordon Bellamy, BA; Peter Brinson, MFA; Vicki Callahan, PhD; Christopher Chomyn, MFA; Stephen Flick, BA; Nancy Forner, BA; Pablo Frasconi, BFA; Brenda Goodman, BS; Marientina Gotsis, MFA; Eric Hanson, BA; Virginia Kuhn, PhD; Elisabeth Mann, MFA; Alexander McDowell, BFA; Thomas Miller, MD, MFA; Maks Naporowski, BA; Michael Patterson, BFA; Candace Reckinger, MFA; John Rosenberg, MFA; Robert Schiler; Mark Shepherd, MFA; Ronald Taylor, BA; Sonja Warfield, BA; David Weber, MFA;William Yahraus, MA, Associate Professors of Practice: Steve Albrezzi, BA; Susan Arnold; Janet Batchler; Kiki Benzon, PhD; Michael Bodie, MFA; Richard Burton, BA; Reine-Claire Dousarkissian, MA; Dianne Farrington, MA;Evan Hughes, MA; DJ Johnson, MFA; Suhail Kafity; Margaret Moser, MFA; Angelo Pacifici, BArch; Michael Provart, MFA; Elizabeth Ramsey, PhD; Jesse Vigil, MFA; Jennifer Warren, BA; Shelly Wattenbarger, MFA; Tristan Whitman, MFA, Assistant Professors of Practice:George Carstocea, PhD; Jeremy Deneau, BA, Visiting Associate Professors: James Huntley, MS;Aisling Kelliher, PhD; Jennifer Wild, PhD, Visiting Professors:Kara Keeling, PhD; Edward Saxon, MFA, Part-time Faculty: Bayo Akinfemi; Albert Albaladejo; Jesse Albert; Ioan Allen; Kate Amend; Yvette Amirian; Kari Antholis; Jordan Ariel; Andrew Balis; David Baron; Deborah Baron; Craig Barron; Maurice Bastian; Diego Berdakin; Sandra Berg; Alan Berger; Fred Bernstein; Dick Block; Mitch Block; Skye Borgman; Sean Bouchard; John Bowman; Elizabeth Brauer; John Brennan; Paul Bricault; Musa Brooker; Michael Broukhim; Robert Brown; Bonnie Bruckheimer; Ed Callahan; Trey Callaway; Martzi Campos; John Carpenter; Will Carter; Susan Cartsonis; Phil Casnoff; Michael Cassutt; Julian Cautherly; Bonnie Chi; Peter Chung; Jacque Cofer-Edmonds; Simon Coke; Michael Connors; Akela Cooper; Ken Cosby; Sean Covel; Tim Curnen; Martin Daniel; Kristen W. Davis; Johanna Demetrakas; Dariush Derakhshani; Annie DeSalvo; Heather Desurvire; Jon Dudkowski; James Egan; David Fain; Siavash Farahani; Ben Fast; Ron Fernandez; Jason Figliozzi; Bruce Finn; Mike Fischer; Paul Foley; Eric Freiser; Joe Garlington; Bonnie Garvin; Paul Gerard; Larry Gertz; Jeffrey Glaser; Karl Gnass; David Goetsch; Eric Goldberg; Jane Goldenring; Jarrett Golding; Richard Goldsmith; Margie Goodspeed; Ian Goodwin; Janet Graham-Borba; Mimi Gramatky Stradling; Amanda Green; Sharon Greene; Jordan Halsey; Jeffrey Hammer; Suzanne Hargrove; Pete Hawkes; Chevon Hicks; Liz Hinlein; Joe Hoffman; Todd Hoffman; Alan Holzman; Sean Hood; Caroline Hu; Joan Hyler; Jason Inouye; Alex Jablonski; Brandon Jeffords; Yong Duk Jhun; Jeanne Jo; Toni Ann Johnson; Moses Journey; Juli Juteau; Aaron Kaplan; Roeban Katz; Collin Kelly; Thomas Kemper; Liz Keyishian; Tim Kirkman; Randal Kleiser; Michael Kontopoulos; Jeffrey Korchek; Paul Kowalski; Marianne Krawcyzk; Stu Krieger; Jon Kroll; Lucas Kuzma; Morgan Land; Sheldon Larry; Clifford Latimer; Ken LaZebnik; Domin Lee; Elizabeth Lee; Robert Levin; Adam Levine; Andrew Licht; Dan Lupovitz; John Mahoney; Abram Makowka; Laird Malamed; Leonard Maltin; Carolyn Manetti; David Maquiling; Peter Marx; Leslie Mathieson; Frank McAdams; Jim McGinn; Rebekah McKendry; Mary McNamara; Bill Mechanic; Dagen Merrill; Monica Mitchell; Chris Morocco; Tatiana Mulry; Robert Nashak; Rob Nederhorst; John Nee; Sahand Nikoukar; Joseph Nussbaum; Dave OBrien; Jim OKeeffe; Sev Ohanian; Bob Osher; Joel Parker; Rick Parks; Justin Parpan; Joe Peracchio; Rod Perth; Brian Peterson; Paul Petschek; Wendy Phillips; Mary Posatko; Anne Postman; Kate Powers; Wayne Powers; Bill Prady; Ross Putman; Robert Ramsey; Phil Ramuno; Gary Randall; Amy Reed; Sandy Reisenbach; Lyz Renshaw; Silvia Rigon; Vincent Robert; Sam Roberts; Peter Robinson; Jason Rosenfield; Roland Rosenkranz; Torrie Rosenzweig; Jeremy Royce; Nina Sadowsky; Leander Sales; Mike Saltzman; Henry Sanchez; Jimena Sarno; James Savoca; Julie Sayres; Nevin Schreiner; Phil Schwartz; Matthew Scott; Debby Seibel; Joselito Seldera; Bita Shafipour; Rick Shaine; Toi Juan Shannon; Bobby Smith, Jr.; Katie Smith; Jim Staahl; Josh Staub; Katherine Steinbach; Noah Stern; Scott Sturgeon; Danny Sussman; Neely Swanson; Beth Sweeney; Ella Taylor; Aaron Thomas; John Underkoffler; Marcel Valcarce; Pam Veasey; Ligiah Villalobos; Jeffrey Vlaming; Gary Wagner; Dahvi Waller; Gene Warren III; Miles Watkins; David Weitzner; Nicole West; David White; William Whittington; Tyger Williams; Chase Winton; Cynthia Woll; Russ Woody; Frank Wuliger; Chris Wyatt; Qianqian Ye; Ashley York; Gil Zimmerman; Ed Zobrist, University Professor Emerita: Marsha Kinder, PhD, Professors Emeriti: Drew Casper, PhD; Ron Curfman, MFA; Trevor Greenwood, MA; Richard Harber, MA; David E. James, PhD; Richard Jewell, PhD; Edward Kaufman, PhD; Woody Omens, MA; Morton Zarcoff, MA, Associate Professors Emeriti: Robert Miller, PhD; Dennis Wixon, PhD, Research Professor Emeritus: Richard Weinberg, PhD, Professor Emeritus of the Practice of Cinematic Arts: Jason Squire, MFA. Clery Act crime and fire statistics for the preceding three years for locations owned The current Chair is Teresa Cheng, who holds the John C. Hench Endowed Division Chair. The current Chair is Priya Jaikumar. A self-described street artist and alchemist, S.C. Mero transforms downtown L.A. street corners into something that is endearing or revealing of some truth happening in the neighborhood..